Lexicographical Neighbors of Saltato
Literary usage of Saltato
Below you will find example usage of this term as found in modern and/or classical literature:
1. Violin Playing as I Teach it by Leopold Auer (1921)
"VI THE Ricochet-saltato (REBOUND WITH SPRINGING Bow) For this bowing the bow
should be held as lightly as possible, the fingers hardly touching the stick. ..."
2. Violin Playing as I Teach it by Leopold Auer (1921)
"... -saltato (REBOUND WITH SPRINGING Bow) For this bowing the bow should be held
as lightly as possible, the fingers hardly touching the stick. ..."
3. A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers by John Alexander Fuller-Maitland, Adela Harriet Sophia Bagot Wodehouse (1879)
"... the fullest forte to the softest piano, to mark all kinds of strong and gentle
accents, to execute staccato, legato, saltato, and arpeggio passages. ..."
4. True Principles of the Art of Violin-playing by George Lehmann (1899)
"This constitutes the only real difference between the saltato and the ricochet.
... Good control of the saltato stroke can come only with experience; ..."
5. A Dictionary of Music and Musicians (A.D. 1450-1880) by George Grove, John Alexander Fuller-Maitland (1880)
"... the fullest forte to the softest piano, to mark all kinds of strong and gentle
accents, to execute staccato, legato, saltato, and arpeggio passages. ..."
6. A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French by Theodore Baker (1895)
"... (saltato) in not employing the wrist (in the saltato, up-stroke, a separate
wrist-movement is made for each detached tone). ..."
7. Violin Playing as I Teach it by Leopold Auer (1921)
"VI THE Ricochet-saltato (REBOUND WITH SPRINGING Bow) For this bowing the bow
should be held as lightly as possible, the fingers hardly touching the stick. ..."
8. Violin Playing as I Teach it by Leopold Auer (1921)
"... -saltato (REBOUND WITH SPRINGING Bow) For this bowing the bow should be held
as lightly as possible, the fingers hardly touching the stick. ..."
9. A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers by John Alexander Fuller-Maitland, Adela Harriet Sophia Bagot Wodehouse (1879)
"... the fullest forte to the softest piano, to mark all kinds of strong and gentle
accents, to execute staccato, legato, saltato, and arpeggio passages. ..."
10. True Principles of the Art of Violin-playing by George Lehmann (1899)
"This constitutes the only real difference between the saltato and the ricochet.
... Good control of the saltato stroke can come only with experience; ..."
11. A Dictionary of Music and Musicians (A.D. 1450-1880) by George Grove, John Alexander Fuller-Maitland (1880)
"... the fullest forte to the softest piano, to mark all kinds of strong and gentle
accents, to execute staccato, legato, saltato, and arpeggio passages. ..."
12. A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French by Theodore Baker (1895)
"... (saltato) in not employing the wrist (in the saltato, up-stroke, a separate
wrist-movement is made for each detached tone). ..."
Other Resources:
