Definition of Heterophony

1. n. An abnormal state of the voice.

Definition of Heterophony

1. Noun. (music) The simultaneous performance, by a number of singers or musicians of two or more versions of the same melody. ¹

¹ Source: wiktionary.com

Definition of Heterophony

1. [n -NIES]

Medical Definition of Heterophony

1. An abnormal state of the voice. Origin: Hetero- + Gr. Voice. Source: Websters Dictionary (01 Mar 1998)

Lexicographical Neighbors of Heterophony

heterophil test
heterophile
heterophile antibody
heterophile antigen
heterophilic
heterophily
heterophobe
heterophobes
heterophobic
heterophone
heterophones
heterophonia
heterophonic
heterophonies
heterophony (current term)
heterophoria
heterophthalmus
heterophthongia
heterophyiasis
heterophyid
heterophyidae
heterophyidiasis
heterophyllies
heterophyllous
heterophylly
heterophyte
heterophytes
heteroplasia
heteroplasm

Literary usage of Heterophony

Below you will find example usage of this term as found in modern and/or classical literature:

1. Science by American Association for the Advancement of Science (1909)
"Third: heterophony. A Siamese orchestra plays neither in unison nor in parts, for each of the various instruments takes its own liberties with a melody ..."

2. Fors Clavigera: Letters to the Workmen and Labourers of Great Britain by John Ruskin (1877)
"... antiphony ' their opposition ; and ' heterophony ' their change. And it will do more for us than merely fasten the sense of the terms, if we now re-read ..."

3. Introduction to the literature of Europe in the fifteenth, sixteenth, and by Henry Hallam (1877)
"translated ' changes of the voice' is, in the Greek, technical,—' heterophony '; and we have besides, rhythm, harmony, tune, melody, symphony, and antiphony ..."

4. Suum Cuique: Essays in Music by Oscar George Theodore Sonneck (1916)
"... him into a curious conflict between early eighteenth-century counterpoint, early nineteenth-century homophony and late nineteenth-century heterophony. ..."

5. The Art of Music: A Comprehensive Library of Information for Music Lovers by Daniel Gregory Mason (1915)
"We shall dismiss it with the well- supported conclusion of Riemann, that it does not point to any form of heterophony, but to certain methods of ..."

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