Definition of Saltato

1. saltando [adv] - See also: saltando

Lexicographical Neighbors of Saltato

saltant
saltants
saltarelli
saltarello
saltarellos
saltate
saltated
saltates
saltating
saltation
saltational
saltationism
saltationist
saltationists
saltations
saltato (current term)
saltatoria
saltatorial
saltatorious
saltatory
saltatory chorea
saltatory conduction
saltatory evolution
saltatory movement
saltatory replication
saltatory spasm
saltbox
saltboxes
saltbush
saltbushes

Literary usage of Saltato

Below you will find example usage of this term as found in modern and/or classical literature:

1. Violin Playing as I Teach it by Leopold Auer (1921)
"VI THE Ricochet-saltato (REBOUND WITH SPRINGING Bow) For this bowing the bow should be held as lightly as possible, the fingers hardly touching the stick. ..."

2. Violin Playing as I Teach it by Leopold Auer (1921)
"... -saltato (REBOUND WITH SPRINGING Bow) For this bowing the bow should be held as lightly as possible, the fingers hardly touching the stick. ..."

3. A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers by John Alexander Fuller-Maitland, Adela Harriet Sophia Bagot Wodehouse (1879)
"... the fullest forte to the softest piano, to mark all kinds of strong and gentle accents, to execute staccato, legato, saltato, and arpeggio passages. ..."

4. True Principles of the Art of Violin-playing by George Lehmann (1899)
"This constitutes the only real difference between the saltato and the ricochet. ... Good control of the saltato stroke can come only with experience; ..."

5. A Dictionary of Music and Musicians (A.D. 1450-1880) by George Grove, John Alexander Fuller-Maitland (1880)
"... the fullest forte to the softest piano, to mark all kinds of strong and gentle accents, to execute staccato, legato, saltato, and arpeggio passages. ..."

6. A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French by Theodore Baker (1895)
"... (saltato) in not employing the wrist (in the saltato, up-stroke, a separate wrist-movement is made for each detached tone). ..."

7. Violin Playing as I Teach it by Leopold Auer (1921)
"VI THE Ricochet-saltato (REBOUND WITH SPRINGING Bow) For this bowing the bow should be held as lightly as possible, the fingers hardly touching the stick. ..."

8. Violin Playing as I Teach it by Leopold Auer (1921)
"... -saltato (REBOUND WITH SPRINGING Bow) For this bowing the bow should be held as lightly as possible, the fingers hardly touching the stick. ..."

9. A Dictionary of Music and Musicians (A.D. 1450-1889) by Eminent Writers by John Alexander Fuller-Maitland, Adela Harriet Sophia Bagot Wodehouse (1879)
"... the fullest forte to the softest piano, to mark all kinds of strong and gentle accents, to execute staccato, legato, saltato, and arpeggio passages. ..."

10. True Principles of the Art of Violin-playing by George Lehmann (1899)
"This constitutes the only real difference between the saltato and the ricochet. ... Good control of the saltato stroke can come only with experience; ..."

11. A Dictionary of Music and Musicians (A.D. 1450-1880) by George Grove, John Alexander Fuller-Maitland (1880)
"... the fullest forte to the softest piano, to mark all kinds of strong and gentle accents, to execute staccato, legato, saltato, and arpeggio passages. ..."

12. A Dictionary of Musical Terms: Containing Upwards of 9,000 English, French by Theodore Baker (1895)
"... (saltato) in not employing the wrist (in the saltato, up-stroke, a separate wrist-movement is made for each detached tone). ..."

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